‘Everything Was Getting Smashed’: Three Case Studies of Play and Participation, 1965–71

A new archival research publication by our associate curator Hilary Floe looks at the themes of play and participation in 1960s and 1970s exhibition practice. The main case study is the extraordinary 1971 Popa at Moma, which featured works by David Medalla, Lygia Clark, Helio Oiticica, Li Yuan-Chia and others, and which, Floe depicts in… Continue reading ‘Everything Was Getting Smashed’: Three Case Studies of Play and Participation, 1965–71

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Love is Enough: excerpt from the catalogue

Read an excerpt of a conversation between Jeremy Deller, curator of Love is Enough, Eric Shiner, Director of the Andy Warhol Museum, Pittsburgh, and Anna Mason, Manager of the William Morris Gallery, London. The conversation took place at the University of Oxford Union, in front of an invited audience in July 2014. LiE edited catalogue essay_web

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Stuart Brisley discusses his exhibition, ‘State of Denmark’

British artist Stuart Brisley talks about his exhibition at Modern Art Oxford. State of Denmark reveals aspects of Brisley’s broader artistic practice and includes early and rarely seen works alongside more recent paintings, video and a new sculpture.

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